It’s a bad, bad world out there, and it’s made even worse when you don’t stick to the plan. People tend to freak out. Simple abductions suddenly become much more complicated, and true intentions end up masked by pain and strain and suffering. True trauma hits worse than a woman named Elle wielding a 5-iron. And no matter how well you play the game you have to ensure you follow the rules.
THE GOOD GIRL shows the heart of human nature, and I think it’s safe to say: We’re pretty fucked up. It’s true there’s good in all of us…and bad too, but when push comes to shove we’re going to do whatever it takes to save our own ass. Sure, there’re a few out there who are heroes and heroines, but the vast majority of us just aren’t built that way. We mean well, and we have good intentions, but buses and automobiles and bicycles get in the way. And if we can nudge someone else off the curb instead, then more elbows will be thrown than in a UFC match.
The novel’s structure tossed linear completely out of the equation. Instead, you may need a roadmap to follow along if you’re not paying close attention. Mia and Colin didn’t always fall at the higher end of the likeability curve, but this tale clipped along at a rather frenzied pace even without their moral support. *BEGIN SPOILER* The Stockholm Syndrome angle proved a bit much for my taste, but maybe I’m just not a believer. *END SPOILER*
And everyone has secrets. It’s hard not to live your life without a few extra shirts hanging in the closet. And while THE GOOD GIRL proved rather intriguing and entertaining, it may have been just a tad bit overhyped. I’m just sayin’.